an accordion of wooden planks sits on the surface of the earth, overlooking the water’s edge photo b

the wooden chamber leads visitors inside? photo by?nicolas guiraud / courtesy of?atelier 37.2

both views offer ever-changing compositions reminiscent of rothko paintings? photo by?nicolas guirau

a boat can be seen passing through the bottom window? photo courtesy of?atelier 37.2

the two apertures grant different views – one of the sky and one of the sea? photo by?nicolas guirau

two windows of varying heights offer a look at the surrounding landscape? photo by?nicolas guiraud /

a wooden expanse made of planks surrounds visitors as they enter the installation photo by ole hein

20667769564

the paintings are so small, they can only be completely seen under a magnifying glass??

the smeared blood becomes a painting medium?

photography by nicole hains and adam beresford / courtesy of the goodwood festival of speed

photography by nicole hains and adam beresford / courtesy of the goodwood festival of speed

photography by nicole hains and adam beresford / courtesy of the?goodwood festival of speed

it the beams were laid end to end, they would stretch a distance of more than 1 mile long image cour

the twisting beams soar into the air, holding the two mazda’s at their crown image courtesy of mazda

the track includes?418 white, solid steel bars image courtesy of mazda

one virtual and one historic mazda are included in the sculpture? image ?courtesy of mazda

two mazda racers spear into the sky on a twisting track of steel beams image courtesy of mazda

20667769161

altar 3, 2015 weathering steel, coated with polyurethane, 62 1/2 x 360 x 379 1/2 (158.8 x 914.4 x 96

altar 3, 2015 weathering steel, coated with polyurethane, 62 1/2 x 360 x 379 1/2 (158.8 x 914.4 x 96

potato chip, 2015 18-ton granite rock in steel frame 172 x 106 3/4 x 92 inches (436.9 x 271.1 x 233.

altar 1, 2015 weathering steel, coated with polyurethane — 95 x 536 1/2 x 480 inches (241 x 1,362.7

michael heizer: early paintings, altars and granite at gagosian gallery (above)?altar 2, 2015 weathe

20667769047

brightly colored reflections are filtered through the surrounding rows. image courtesy of?the artist

sunset and outdoor illumination filter through the layers of shells image courtesy of?the artist

concave openings are placed to face the direction of the sunset image courtesy of?the artist

a new textural surface is spread across the sand image courtesy of?the artist

the arrangement of colorful, iridescent shells punctuate the landscape image courtesy of?the artist

the installation forms an undulating wave of individually placed mollusk casings image courtesy of?t

green shells?from india meet?blue ones from denmark image courtesy of?the artist

the artist?collected and sculpted thousands of mussel shells photo by ole hein petersen

the ocean is?an aesthetic influence, a medium and a canvass image courtesy of subodh kerkar

20667768944

detail of the root system that is at the base of the structure close-up

detail of the root system that is at the base of the structure close-up

the dwelling draws its architectural influences from the historic structures of riedrich weinbrenner

the artists use of civil engineering tool adds a provocative element to the installation

at the heart of the exhibition is leandro erlich‘s ‘pulled by the roots’. known for his hyperreal sc

the argentinian artist suspends a dwelling by crane in midair

20667768864

the writings are?printed on rice paper and laid out in the style of a traditional chinese textbook

6,830 sheets detail ai weiwei’s twitter and blog posts from 2005 – 2013

detail of?‘a(chǎn)n archive’, held within?a traditional huali wood box

20667768802

‘the frog prince’

‘little red riding hood’

‘the little mermaid’

‘beauty and the beast’