the series continues wurm’s work with malformed and misshapen objects image ? designboom

detial of the deconstruction of the original clay forms? image ? designboom

the pieces?highlight wurm’s engagement with everyday objects? image ? designboom

the artist’s actions leave a permeant mark on the object’s?final figure image ? designboom

wurm sits, punches, crushes and drives across the original clay forms prior to casting image ? desig

detail of ‘muddy earth’ image ? designboom

the object is disfigured by a direct engagement with the artist himself image ? designboom

‘muddy earth’ depicts a?deformed interpretation of modern furniture image ? designboom

muddy earth, 2016 |?35.43 x 78.74 x 31.5 inches (90 x 200 x 80 cm) image courtesy the artist and leh

muddy earth, 2016 |?bronze image courtesy the artist and lehmann maupin, new york and hong kong

snake, 2016 |?13.78 x 80.71 x .96 inches (35 x 205 x 165 cm) image ? designboom

snake, 2016 |?bronze with black patina image ? designboom

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‘cloudy thoughts’ by adam kalinowski, 2016

the work contemplates the changing nature of traditions and time

plywood forms hold sod grass parcels

‘cloudy thoughts’ by adam kalinowski

cloud structures against the distant sky?

‘cloudy thoughts’ detail?

building underside?

‘cloudy thoughts’ measures 560x680x500 cm

kalinowski’s works for the event also include ‘the grave’ and the ‘infinite green’?

the work was produced as one of three for the?be?ikta? international flower & garden festival

‘cloudy thoughts’?

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the salt lines zig zag through the space?

the installation culminates?with a large mound of salt?

these outlines lead through the corridor towards a large pile of salt placed at the doorway

grains of salt have been carefully?applied the surface of the castle floor

the installation?forms a complex arrangement of delicate matter that snakes through the space

the narrow stone passageway has been filled with an intricate maze of carefully-placed salt lines

the installation ‘labyrinth’ is housed within the castle’s ramparts

‘floating garden’ in progress at the?13th century walled city in southern france

each of the thin salt ribbons symbolizes pieces of memories and fragments of time

tiny cells that mimic bubble-like patterns are formed by the salt outlines?

in the realization of the installation, the artist carefully outlines small circles using a containe

‘floating garden’ comprises a circular form filled with a lacework of carefully-placed grains of sal

the installation is housed within the castle tower at?aigues-mortes

the curved space leading up to the installation

a single geometric sculpture on display

each sculpture contains its own light and color which is projected on the walls and floor of the gal

each sculpture contains its own light and color which is projected on the walls and floor of the gal

thw works respond to each other using electronic impulses

the installation is made up of?fluorescent tubes

the works are built primarily out of wood

the sculptures acts as individual components within a larger network

the installation expresses a luminous quality

the collection responds to light and space in an an extravagant web across the interior

the gradual rise and fall of the light within the space mimics the feeling of breathing